Stephen Giddings
|
Michelle Collins
|
Paisley Reid
|
Kent Riley
|
||||
Michael Starke
|
|
|
|
Stephen Giddings | Michelle Collins | Paisley Reid | |||
Kent Riley | Michael Starke |
Stephen Giddings | Michelle Collins | ||
Paisley Reid | Kent Riley | ||
Michael Starke |
Visual artist Melanie Manchot works with a recovery group in Liverpool, who take up roles in a semi-fictional film-within-a-film that explores addiction and mental health from multiple perspectives. It is centred around Stephen, a character recovering from gambling and alcohol addictions. References to the first police crime reconstruction, filmed in Liverpool in 1901, are a reminder that addiction has long existed within the fabric of our culture. It’s a tough process and emotionally charged scenes reveal inner truths, which gain additional power when the people playing the roles are, in some sense, playing themselves. Visually striking, Stephen is a startling record of this form of treatment and a reminder of how dextrous the documentary form can be.