Dale Dickey | Wes Studi | Michelle Wilson | Benja K. Thomas | ||||
John Way | Marty Grace Dennis | Sam Engbring | Scout Engbring | ||||
Gregory Hope | Jesse Hope | Felipe Jorge | Nala |
Dale Dickey | Wes Studi | Michelle Wilson | |||
Benja K. Thomas | John Way | Marty Grace Dennis | |||
Sam Engbring | Scout Engbring | Gregory Hope | |||
Jesse Hope | Felipe Jorge | Nala |
Dale Dickey | Wes Studi | ||
Michelle Wilson | Benja K. Thomas | ||
John Way | Marty Grace Dennis | ||
Sam Engbring | Scout Engbring | ||
Gregory Hope | Jesse Hope | ||
Felipe Jorge | Nala |
A whimsical romance, Max Walker-Silverman’s captivating debut feature shows an "American West" full of quietude, compassion, and introspection. It’s both naturalistic and vaguely surreal, blurring our sense of time and beauty, loss and vivacity, the grandiose natural world and intimate humanism. Career performances from Dale Dickey and Wes Studi bring an inescapable presence to people we don’t often see portrayed on film. They are gentle outliers possessed of resilience and existential spirit, seeking to process something elusive: a feeling of love for what’s no longer there. Like Faye turning her radio dial, they listen hopefully for the faint trace of a song.